SHARES FIRST SINGLE “THE DREAM OF DELPHI”
ANNOUNCES FIRST UK HEADLINE TOUR IN 5 YEARS INCLUDING LONDON BARBICAN JUNE 24TH
SIGNS TO MERCURY KX
WATCH FIRST CHAPTER OF ALBUM FILM BELOW
Photo credit – Michal Pudelka
22 FEBRUARY 2024 (TORONTO, ON) — London-based musician and multi-disciplinary artist Natasha Khan – aka Bat For Lashes – today announces her sixth studio album The Dream Of Delphi, out May 31st. The release will be Bat For Lashes’ first since signing a new deal with acclaimed label Mercury KX, heralding a new era for the three time Brit Award and Mercury Prize nominee. Named after her daughter Delphi, born in California in the locked-down summer of 2020, The Dream of Delphi finds Khan reflecting on early motherhood in her most personal album to date.
Today also sees the announcement of her first run of headline UK shows in five years including a landmark date at The Barbican on June 24th. Tickets go on sale March 1st with artist presale from 28th February, sign up here for access.
The new single is accompanied by a stunning video shot earlier this winter in the English countryside, produced in collaboration with creative director and choreographer Alexandra Green and directed by Freddie Leyden. The official video will form the first chapter of a yet-to-be-announced longform album film, with more information to be revealed soon.
WATCH “THE DREAM OF DELPHI” CHAPTER ONE BELOW
Part pagan invocation, part celestial synth epic, new single and album opener “The Dream of Delphi” marks a stunning return and true-to-form reinvention from Khan. Feeling ancient and astral but at the same time novel and exciting. The album invites the listener through a journey of devotional love songs about the spirituality, ancestry and folklore; but also the mundane, selfless and tender aspects of child rearing that all mothers can attest to.
Speaking on the track, Natasha adds: “This is the manifesto of the album. It’s like a spell being cast. It’s the conjuring, the manifestation, the drawing-down of Delphi from the ether. This is me calling on her soul. It’s about going up into the stars and down into the underworld simultaneously, how celestials and deep guttural sounds can come together, how that reflects the journey I went on. It’s about what happens when you’re stretched physically, mentally, even vaginally! I think it’s just humbled me, too, becoming a mother. It’s made me feel more vulnerable than I’ve ever felt before. But I feel more human, more embodied. I can’t escape life by making beautiful things as much as I did. But there’s sort of a beauty to my mortality now.”
Source
Universal Music Canada